This paper begins with a discussion of different definitions of “terrorism” and endorses one version of a tactical definition, so-called because it treats terrorism as involving the use of a quite specific tactic in the pursuit of political ends, namely, violent attacks upon the innocent. This contrasts with a political status definition in which “terrorism” is defined as any form of sub-state political violence against the state. Some consequences of the tactical definition are explored, notably the fact that it (...) allows for the possibility of state terrorism against individuals, sub-state groups and other states. But a major problem for the tactical definition is the account to be given of “the innocent.” In line with justwar thinking, the idea of “the innocent” is unpacked in terms of the concept of non-combatants and this in turn is treated as the category of those who are not prosecuting the harm that allows for a legitimate violent response. Problems with this approach are explored, with particular reference to criticisms made by Gregory Kavka. The recent drive to expand the class of those who may be legitimately attacked is subjected to scrutiny. Particular attention is paid to the role of “collective responsibility” and “deserving your government” in these arguments. (shrink)

Students of the Papal State are understandably inclined to concentrate on those geographical areas in central Italy, from the Campagna to Ravenna, that were to become the more or less permanent Papal State of modern history, even though everyone acknowledges that papal claims and the reality of papal control within this region fluctuated widely throughout the centuries. Tuscany, southern Italy, and Sicily were sometimes claimed by the popes but not ultimately incorporated into the Papal State, and these areas also receive (...) due attention from historians of the Papal State. But papal claims also extended to other areas less frequently discussed, among them Sardinia. (shrink)

This paper develops the concept of the ‘continuum of destructiveness’ in relation to organizational corruption. This notion captures the slippery slope of wrongdoing as actors engage in increasingly dubious practices. We identify four kinds of individuals along this continuum in corrupt organizations, who range from complete innocence to total guilt. They are innocent bystanders, innocent participants, active rationalizers and guilty perpetrators. Traditional explanations of how individuals move from bystander status to guilty perpetrators usually focus on socialization and institutional (...) factors. In addition to these factors, we propose that the very distance between an act and its ethical consequences (ethical distance) may also play a determining role – if not always in the same way – in the transition process. Having developed this conceptual argument, we conclude with a discussion of managerial and research implications. (shrink)

In the Summer 2017 NCBQ, Joshua Evans strongly criticized arguments made by Charles Camosy about the possibility of a prenatal child being a material mortal threat to her mother. Here Camosy demonstrates that the formal/material debate remains open for non-dissenting Catholic moral theologians. He also shows that his reference to just-war theory is used to discuss innocence; it is not evidence of a particular methodology. Despite Evans’s claim to the contrary, Camosy notes multiple examples where he affirms the uniqueness of (...) pregnancy and the special duty of parents to children. He argues for full deference to the magisterium in matters where doctrine has been defined and urges solid theological grounding for teachings on abortion when the mother’s life is at risk, especially given the profound personal and political issues at stake. (shrink)

We prove that the observational equivalence of third-order finitary Idealized Algol is decidable using Game Semantics. By modelling the state explicitly in our games, we show that the denotation of a term M of this fragment of IA is a compactly innocent strategy-with-state, i.e. the strategy is generated by a finite view function fM. Given any such fM, we construct a real-time deterministic pushdown automaton that recognizes the complete plays of the knowing-strategy denotation of M. Since such plays characterize (...) observational equivalence, and there is an algorithm for deciding whether any two DPDAs recognize the same language, we obtain a procedure for deciding the observational equivalence of third-order finitary IA. Restricted to second-order terms, the DPDA representation cuts down to a deterministic finite automaton; thus our approach gives a new proof of Ghica and McCusker’s regular-expression characterization for this fragment. Our algorithmic representation of program meanings, which is compositional, provides a foundation for model-checking a wide range of behavioural properties of IA and other cognate programming languages. Another result concerns second-order IA with full recursion: we show that observational equivalence for this fragment is undecidable. (shrink)

The Province of Jurisprudence Democratized explores the implications of taking a vigorously democratic approach to issues of traditional legal theory. Allan C. Hutchinson introduces the democratic vision and examines the complementary philosophy of a Dewey-inspired pragmatism. This is followed by an examination from a pragmatic perspective of the dominant theories of analytical jurisprudence in both their positivist and naturalist forms. He emphasizes the contested concepts of 'truth', 'facts' and 'law/morality relation' and explores what a more uncompromising democratic/pragmatic agenda for law (...) and legal theory would entail. The Author's intent is to contribute to the shift away from a technical and elite philosophical approach to jurisprudence to a more democratic engagement. It advances and follows through on the critical claim that there is no position of theoretical or political innocence. Like the law it seeks to illuminate, legal theory must recognize its own political and social setting as well as its own responsibilities. Moreover, whatever else democracy might entail or imply, it opposes elite rule whether by autocrats, functionaries or theorists, however enlightened or principled their proposals or interventions may be: authority must come from below, not above. (shrink)

C. A. J. Littlewood approaches Seneca's tragedies as Neronian literature rather than as reworkings of Attic drama, and emphasizes their place in the Roman world and in the Latin literary corpus. The Greek tragic myths are for Seneca mediated by non-dramatic Augustan literature. In literary terms Phaedra's desire, Hippolytus' innocence, and Hercules' ambivalent heroism look back through allusion to Roman elegy, pastoral, and epic respectively. Ethically, the artificiality of Senecan tragedy, the consciousness that its own dramatic worlds, events, and people (...) are literary constructs, responds to the contemporary Stoical dismissal of the public world as mere theatre. (shrink)

A second, corrected edition of the 1948 original, plus preface and a third appendix on the import of Pascal for the present day. The work consists of a number of brief considerations centered around the theme of "common sense," essential to a study of history as sacred. Castelli writes in a climate interpreted as threatening to lead us to a state of "second innocence". Against this threat, Castelli lays the groundwork for a theological existentialism, based on a "sense of revelation," (...) a personal "common sense" commitment arising from the realization of one's own insufficiency. In an age where Catholic theologians are developing a political basis for their thought, Castelli's book appears perhaps even more apropos than in the late 1940's. It opposes modern solipsism resulting from subjectivist tendencies in philosophy since Descartes, as well as analogues in the political sphere--monologue and violence--and proposes as an alternative a theologically based human solidarity.--C. M. R. (shrink)

The Roman philosopher Boethius is best known for the _Consolation of Philosophy_, one of the most frequently cited texts in medieval literature. In the _Consolation_, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the _Consolation_ is that it is (...) a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised. In _The Prisoner's Philosophy_, Joel C. Relihan delivers a genuinely new reading of the _Consolation_. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustine's _Confessions_ and _Soliloquies_ as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God. Relihan discerns three fundamental stories intertwined in the _Consolation_: an ironic retelling of Plato's _Crito,_ an adaptation of Lucian's _Jupiter Confutatus,_ and a sober reduction of _Job_ to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihan's claim that Boethius's text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophy's attempt to lead an exile to God's heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his _Consolation_ is a work about humility and prayer. _“Acknowledging that the _Consolation of Philosophy_ is ‘over-familiar and under-read,’ Joel Relihan puts to the side old bromides about the work and instead pays careful attention to the narrative Boethius constructs, grounding his readings in the contexts the work cultivates, especially its Menippean elements. The result is perhaps the first satisfying reading of the _Consolation_ to be produced, a satisfaction felt also in the ways Relihan mirrors Boethius himself in the thoroughness of his scholarship and the elegance of his exposition. No one who studies Boethius will be able to ignore this book.“ — Joseph Pucci, Brown University _ "Anyone who has been fascinated, intrigued, or perhaps puzzled by the meaning, structure, or argument of Boethius's _Consolation of Philosophy_ will find Joel Relihan's new book a welcome addition to the study of this core text of the early medieval world whose influence extends to the present time. Relihan's study is a tour de force that belongs in the library of all those who appreciate Boethius's depth and subtlety. Fortune's wheel has indeed turned in the favor of those who wish to explore with Relihan the intricacies and brilliance of the _Consolation_." —_Fr. John Fortin, O.S.B., Saint Anselm College _. (shrink)

Neo-Humean instrumentalists hold that anagent's reasons for acting are grounded in theagent's desires. Numerous objections have beenleveled against this view, but the mostcompelling concerns the problem of ``aliendesires'' – desires with which the agent doesnot identify. The standard version ofneo-Humeanism holds that these desires, likeany others, generate reasons for acting. Avariant of neo-Humeanism that grounds anagent's reasons on her values, rather than allof her desires, avoids this implication, but atthe cost of denying that we have reasons to acton innocent (...) whims. A version of neo-Humeanismthat holds that an agent has reason to satisfyall of her desires that are not in conflictwith her values appears to allow us to grantthe reason-giving force of innocent whims whiledenying the reason-giving force of alien desires. (shrink)

Daniel C. Dennett " Is Perception the 'Leading Edge' of Memory? " Consciousness appears to us to consist of a sequence of contentful items, arranged in a sequence, the so-called "stream of consciousness," in which each item in turn bursts quite suddenly into consciousness and thereby enters memory, perhaps only briefly to be remembered, and then forgotten. I think that hidden in this comfortable and largely innocent picture of consciousness is a deep and seductive mistake. I intend to expose (...) and elucidate that mistake, and describe an alternative vision. (shrink)

At the end of this century there are so many occasions, so many residues of the most violent of times, that challenge the very idea of forgivenessNorthern Ireland, Bosnia, the Tutsis and Hutus, the Shiite and Suni Moslems, the settlers and African immigrants in South Africa, indigenous populations against the dominant culture. The open violence and rapaciousness of human enmity can be viewed now in the displacement of masses of people in Kosovo. Said the U.N. High Commissioner for Refugees, Sadako (...) Ogata, about the Kosovo crisis: that this century, as in its darkest hours, should end with the mass deportation of innocent people.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.4 (2000) 15-37 [Access article in PDF] Kant's Strange LightRomanticism, Periodicity, and the Catachresis of Genius Orrin N. C. Wang We might say that in deconstruction history is always posed as a question, at once urgent, ubiquitous, and insoluble, whereas ideological demystification conceives of its relation to history as an answer, a solution, to its critical hermeneutic. Certainly, this critical truism has special force in Romantic studies, a (...) field very much shaped by the complex relation between deconstruction and ideological critique over the last twenty-five years. But it could just as well be said that the full implications of this relation are especially clarified by the field of Romantic studies, not least because its object of study replays the tensions between these two modes of inquiry. Studying Romanticism means knowing it as a historical period but also knowing it as a figure that stands for something else: an aesthetic practice, a form of consciousness, a political aspiration, an ideology, the possibility of historicity itself. That as a figure Romanticism can be either transhistorical or tied to its historical identity makes its situation all the more complicated and compelling. Romanticism especially dramatizes the interlocking relation between period identity and trope, and the investment of literary studies in that dynamic. Romanticism is the period metaphor that both stabilizes and disrupts the very concept of period metaphors.1 The deconstruction and demystification of Romanticism is very much about the deconstruction and demystification of history, its existence as either question or calculation, trope or immanent being.But even as Romanticism asserts its special relation to history it must also confront an opposite trajectory, how its meaning is best understood through a constellation of other, larger historical identities, such as the Enlightenment and modernity itself. At present the potential disciplinary reorganization of Romanticism into the long eighteenth century is the most vivid academic expression of the question, where does the historical specificity of Romanticism reside, within itself or something larger, or both?Sorting this issue out is certainly a historical proposition, but as Romanticism's special relation to history reminds us, it is also, in Paul de Man's sense, rhetorical. Which is to say, Romanticism's relation to history is, paradoxically, not special-or, more precisely, it is a trope for something pervasive among all the period fields of literary studies, insofar as they remain particular and distinct from one another. This includes those historical entities that might subsume or entangle with Romanticism itself, that would enact historicity by absorbing a field so intent on both the enabling and worrying of historical thought. Approached tropologically, the relation of Romanticism to these larger historical periods is not simply about events and formations that constitute [End Page 15] the boundaries of historical identities. It is also about best identifying and clarifying the workings of figure that create the intelligence of such periodicity.Such labor, what de Man designated innocently enough by the term "reading," calls for its own crossing of a particular set of boundaries. A philosophical text, generated by the entanglement between Romanticism and the eighteenth-century Enlightenment, might contain sections exemplary in their recording of the interstice between trope and historical periodization. Immanuel Kant's short meditation on genius in the third Critique is, like the rest of his book, about the limits and possibilities of the judging subject; his words on genius are also specifically about the artistically creative subject. In resolving the contradictions between aesthetic judgment and creation, Kant transforms the solar light of human genius into the historical genius of the Enlightenment, which is very much the linguistic genius of Romanticism. This all occurs in a register not of consciousness or of historical truth, but of something else before either's constative realization.Kant's text is especially telling in its reflexive expression of this situation, so much so that it helps illuminate the sharp distinction between deconstruction and ideological demystification. For if deconstruction always poses history as the pressure of an insoluble, omnipresent question, it does so through figure, before truth. In contrast, ideological demystification, with... (shrink)

So begins one of the most engaging, and variously controversial, musical scenes in Euripides. The Messenger's narrative of the Phantom Helen's disappearance has proved to Menelaus that the Helen standing before him is the real Helen, altogether innocent of elopement to Troy, from whom he has been sundered for seventeen laborious years. The ensuing embrace is developed in a duet which is followed without a break by the so-called ‘Interrogation’, the two together constituting the so-called ‘Recognition Duo’.

The penal substitution account of the Atonement fails for conceptual reasons: punishment is expressive action, condemning the party punished, and so is not transferable from a guilty to an innocent party. But there is a relative to the penal substitution view, the vicarious punishment account, that is neither conceptually nor morally objectionable. On this view, the guilty person’s punishment consists in the suffering of an innocent to whom he or she bears a special relationship. Sinful humanity is punished (...) through the inglorious death of Jesus Christ; ill-desert is thus requited, and an obstacle to unity with God is overcome. (shrink)

What is History For? is a timely publication that examines the purpose and point of historical studies. Recent debates on the role of the humanities and the ongoing impact of poststructuralist thought on the very nature of historical enquiry, have rendered the question "what is history for?" of utmost importance. Charting the development of historical studies, Beverley Southgate examines the various uses to which history has been put. While history has often supposedly been studied "for its own sake," Southgate argues (...) that this seemingly innocent approach masks an inherent conservatism and exposes the ways in which history, has, sometimes deliberately, sometimes inadvertently, been used for socio-political purposes. With traditional notions of truth and historical representation now under question, it has become vital to rethink the function of history and renegotiate its uses for the post-modern age. History in the 21st century, Southgate proposes, should adopt a morally therapeutic role that seeks to advance human happiness. This fascinating historicisation of the study of history is unique in its focus on the future of the subject as well as its past. What is History For? provides compulsive reading for the general reader and students alike. (shrink)

As evidence of the unintended consequences of industrial farm animal production continues to mount, it is becoming increasingly clear that, far from being a trivial matter of personal preference, eating is an activity that has deep moral and spiritual significance. Surprising as it may sound, the simple question of what to eat can prompt Christians daily to live out their spiritual vision of Shalom for all creatures--to bear witness to the marginalization of the poor, the exploitation of the oppressed, the (...) suffering of the innocent, and the degradation of the natural world, and to participate in the reconciliation of these ills through intentional acts of love, justice, mercy, and good stewardship. The aim of this work is to understand the cultivation of more intentional "compassionate eating" habits as a form of engaged Christian discipleship that responds to a wide array of practical, moral, and spiritual problems affecting all aspects of creation--human, animal, and environmental. The guiding suggestion is that compassionate eating is a spiritual discipline that offers a symbolically significant and practically effective way to live in faithful anticipation of the "peaceable kingdom" described in Judeo-Christian creation and redemption narratives. (shrink)

One of the things you learn if you read books and articles in (or about) cognitive science is that the brain does a lot of "filling in"--not filling in, but "filling in"--in scare quotes. My claim today will be that this way of talking is not a safe bit of shorthand, or an innocent bit of temporizing, but a source of deep confusion and error. The phenomena described in terms of "filling in" are real, surprising, and theoretically important, but (...) it is a mistake to conceive of them as instances of something being filled in, for that vivid phrase always suggests too much--sometimes a little too much, but often a lot too much. Here are some examples (my boldface throughout). (shrink)

This work is haunted by an imminent contradiction. Starting from a declaration of Nietzsche’s political innocence, it nonetheless undertakes progressively and always more insistently to reveal the clarity of Nietzsche’s political wisdom. An entire emphasis is placed upon Nietzsche’s notion of the "philosopher as the doctor of civilization." This argument attains a dramatic if not historic pitch at p. 116, where Nietzsche’s immense superiority to other radicals is affirmed: "Ainsi, ni le révolutionnaire, ni le socialiste, ni l'anarchiste ne peuvent être (...) médecins de la civilisation…" Conceded: Goyard-Fabre distinguishes Nietzsche’s metaphysical politics from genuine pratique. Accordingly, "La pensée nietzschéenne ne se developpe nullement en politologie; elle n'est pas une philosophie pratique; ce n'est meme qu'en la transposant dans un registre qui n'est pas le sien que l'on croit lire en elle les thèmes d’une philosophie opérative." Nevertheless, one may remind the author that medicine is not a theoretical science. To proceed from diagnosis is to be politologiste by necessity. (shrink)

In the spirit of Augustine’s own “Reconsiderations,” and inspired by Peter Brown’s act of “reconsidering” in the Epilogue to Augustine of Hippo (new edition), this essay offers a reconsideration of Augustine’s work On Marriage and Concupiscence. Key to the reconsideration of this text is a reconsideration of the role of the “sacrament” of marriage in Augustine’s articulation and defense of the goods of marriage and of human sexuality. For Augustine, Julian’s advocacy of concupiscence as an innocent natural desire amounts (...) to a dangerous sentimentalization of fallen human freedom. Such sentimentalization masks the investments of the fallen will in the will to power or, in Augustinian terms, the preference for power over justice. Because sexual concupiscence, as Augustine famously argued, has no natural object, but, rather, is invested only in its own gratification, it is therefore a function of the preference for power over justice without remainder. It is a mark of the Fall that the procreative increase in human community willed by God is now ineluctably linked to the will to power, as though the will to power were the true source of social solidarity. The sacramental good of marriage enables married couples to “use” concupiscence in such a way that all of the goods associated with human sexuality can be experienced as true goods instead of as realities constitutively defined by the will to power. (shrink)

For biblical or more precisely Christian theology the way up and the way down are not one and the same. Christian theology could attempt to avoid this potentially embarrassing impasse and, refusing to speak to the philosophers, retreat to a comfortable interiority were it not for the fact that the founder of Christianity and indeed the theologians' own humanity demand otherwise. Philosophy in turn might have chosen to disregard the claims of a theology emboldened by reason and Revelation were it (...) not for its own desire to be comprehensive. Accordingly, no major philosopher of the last millennium has passed over the Bible in silence. Admittedly, the theologians have been reticent of late, yet it is by no means clear that the philosophers have succeeded in restoring thought to its former state of Greek "innocence." It is no surprise, then, that the crisis it is the fashion to call "postmodernism" should have reawakened the old question, Quid sit deus? Marion's short, demanding, and at times repetitive book, written "at the border between philosophy and theology," meets this question in a provocative way. This careful translation will surely win him both theologically and philosophically minded readers, as did the French original. His formation points to his currency: among his "teachers" we may mention Derrida; Levinas and Balthasar number among his "masters"; and as he himself admits, Nietzsche, Wittgenstein, and Heidegger form his "horizon". (shrink)

David Friedman posed a number of libertarian philosophical problems (Friedman 1989). This essay criticizes Walter Block’s Rothbardian responses (Block 2011) and compares them with J C Lester’s critical-rationalist, libertarian-theory responses (Lester [2000] 2012). The main issues are as follows. 1. Critical rationalism and how it applies to libertarianism. 2.1. How libertarianism is not inherently about law and is inherently about morals. 2.2. How liberty relates to property and can be maximized: carbon dioxide and radio waves. 2.3. Applying the theory to (...) flashlights. 2.4. Applying the theory to the probability of imposed risks. 2.5. “Homesteading” or initial acquisition. 2.6 What is “essential” for a “true libertarian.” 2.7. Crime and punishment. 2.8. Extent of punishment. 2.9. The libertarian response to a madman with a gun. 2.10. How contradictions in rights are possible. 2.11. The draft. 3.1. Utilitarian libertarianism and “nose counting”. 3.2. How interpersonal comparisons of utility are possible and utility monsters are not a threat. 3.3. Why it is not utilitarian in practice to kill an innocent prisoner to prevent a riot. 3.4. Why David Friedman should not be forced to give up one of his eyes. 3.5. How utilitarians can be libertarians. Conclusion: a proper theory of liberty combined with critical rationalism offers superior solutions to Friedman’s problems. Appendix: replies to two commentators. (shrink)

In “Divine Foreknowledge and Facts” Paul Helm defends a traditional argument to the incompatibility of foreknowledge and free will “against the attempts of Kenny and some other recent writers to provide a reconciliation.” I shall here set out a reconciliationist position similar to those he attacks, but innocent of the charges he makes against them.The argument, discussed by St. Thomas in the Summa Theologiae, employs the doctrine of the necessity of the past to show that literally prior knowledge of (...) a free action is impossible. Since prior knowledge of an action is past relative to the ·action, the fact of that knowledge is necessary. It is a past fact, and so cannot be undone. From this it follows that the action itself must be necessary; for necessity is transitive, and knowledge of p implies p. But only contingent actions can be free, and so no free action can be foreknown. (shrink)

Contemporary tort theory is dominated by a debate between legal economists and corrective-justice theorists. Legal economists suppose that tortfeasors and tortious wrongs are false targets for cheapest cost-avoiders and avoidable future losses. Corrective-justice theorists argue powerfully that the economic account of tort as search for cheapest cost-avoiders with respect to future accidents does not capture the most fundamental fact about tort adjudication, namely, that the reason we hold defendants liable in tort is that they have wronged their victims and should (...) therefore repair the harm they have done. Deterring cheapest cost-avoiders from committing future harms no more justifies imposing liability in tort than deterring future crime justifies hanging the innocent. This is a powerful critique of the economic theory of tort, but it overshoots the mark. As an account of tort law, corrective justice puts the cart before the horse Tort is a law of wrongs, not just a law of redress for wrongs. Repairing harm wrongly done is the next best way of complying with an obligation not to do harm wrongly in the first place. Rights and remedies form a unity in which rights have priority. Corrective justice is thus an essential but subordinate aspect of tort. This paper develops this line of criticism of corrective-justice theory and offers an alternative account of tort that places primary norms of harm avoidance and respect for rights at its center. On this conception, tort isa law of wrongs, but its distinctiveness lies in the content and character of the wrongs with which it is concerned. At its core, tort is concerned with protecting essential conditions of individual agency. (shrink)

Peter Singer’s famous and influential article is criticised in three main ways that can be considered libertarian, although many non-libertarians could also accept them: 1) the relevant moral principle is more plausibly about upholding an implicit contract rather than globalising a moral intuition that had local evolutionary origins; 2) its principle of the immorality of not stopping bad things is paradoxical, as it overlooks the converse aspect that would be the positive morality of not starting bad things and also thereby (...) conceptually eliminates innocence; and 3) free markets—especially international free trade—have been cogently explained to be the real solution to the global “major evils” of “poverty” and “pollution”, while “overpopulation” does not exist in free-market frameworks; hence charity is a relatively minor alleviant to the problem of insufficiently free markets. There are also various subsidiary arguments throughout. (shrink)

Respected Catholic ethicists have recently defended the use of salpingostomy and methotrexate in the management of ectopic pregnancies.This article examines the arguments for the revised assessments to determine whether there are sound reasons to believe that these two methods do not constitute the direct and immediate killing of innocent human beings. National Catholic Bioethics Quarterly 11.1 (Spring 2011): 65–82.

Everyone can agree that the mystery of the Incarnation is difficult to believe and to understand, and yet it is precisely what Christians do not cease to profess. The most innocent questions concerning the “carnal consistency” of the Resurrected One today are omitted for want of a suitable and contemporary anthropology for us to ask them. But that a body made of “flesh and bones” can indeed now claim to appear and reappear in what we ordinarily call a horizon (...) of reality or objectivity goes against our faculties of thought and even imagination. Philosophy must aim to render comprehensible this mystery of a God made body. (shrink)

This article analyzes ‘commemorative’ images of Diana Spencer for how they invoke tropes of charity and sympathy to produce racialized mediations of history, memory, motherhood and US national identity. Drawing from cultural theory that establishes technologies of memory and forgetting as material forces, this discussion illumines how images of Diana appearing in such popular US magazines as People and Life incorporate visual scripts of race and sentiment that have historically demarcated the relative social value(s) of maternity and reproduction. Understanding visual (...) culture as a force that is both structured by and structuring of hierarchies of power enables us to see how the posthumous circulation of images of ‘Our Princess’ are indeed not ideologically innocent memorializations. Rather, these images are the physical, embodied material of a national monument that provides faithful ‘visitors’ an affective connection to historically idealized notions of whiteness, motherhood, and the family. (shrink)

The Silent Scream, a videotape which includes footage of a real time sonogram of an abortion in progress, has been receiving considerable attention in America as the anti-abortion movement’s latest argument. The tape has been enthusiastically endorsed by President Reagan and has been distributed to every member of Congress and to each of the Supreme Court justices. It is produced and narrated by Bernard N. Nathanson, a practicing obstetrician and gynecologist, and it includes a number of implicit and explicit claims (...) which are highly controversial. Chief among these are: (1) the claim that since we can draw no morally significant line during the stages of fetal development, the fetusmust be recognized as a person from conception onward, (2) the claim that the film is a high tech, state of the art proof that abortion is the brutal murder of an innocent human being, (3) the claim that in abortion the fetus experiences terror and pain, and (4) the claim that as long as abortion is legal, showing this film (or one relevantly similar) must be made part of the informed consent procedure for abortion. My purpose in this paper is to examine these claims to see if The Silent Scream adds anything to the moral case for making abortion illegal. I give particular attention to two claims which are seldom addressed in the abortion debate, viz., that the fetus experiences terror and pain during an abortion, and that women have not had the information they need (but which this film provides) to give an adequately informed consent to abortion. Since there is so much confusion in the abortion debate, and since this film trades on that confusion, my broader purpose is to add some clarificationto the public discussion of this issue, which is daily becoming a more divisive issue of public policy. (shrink)

This chapter opens with a discussion on Kevin Smith, Star Wars and terrorism. Terrorism means something only within a specific way of thinking about right and wrong, or, more generally, an ethical theory or framework. One very popular and powerful ethical framework is utilitarianism, which views the moral life as about producing the greatest good for the greatest number, maximizing pleasure over pain or happiness over unhappiness. The chapter describes many terrorist attacks and highlights that workers building Death Star II (...) are different from the innocents of Gaza, Hiroshima, Alderaan, and Madrid in that these workers were actively contributing to the evil intention and military goals of the enemy. The chapter further points out that the ability to challenge the dominant cultural lens through which most of us look at the world and ask critical questions of our own “side” is as rare today as it is important. (shrink)

Classification is one of the distinctive features of Paralympic sport. Despite the existence of classification rules and a well-defined classification process, some Paralympic athletes intentionally misrepresent their abilities to classifiers in order to be allocated to a lower performing competition class, in which they secure an unfair advantage over other athletes. Such deception undermines the integrity of the competition by exploiting a vulnerability in the classification process. Such manipulation is hard to mitigate and harder still to prove that an athlete (...) had; intentionally misrepresented their abilities or; failed for innocent reasons to make maximum efforts during the classification or; had acted under coercive pressure from others in their entourage or environment. These challenges are compounded in the case of Paralympic athletes that have an intellectual impairment or who are accompanied by a parent/guardian who acts as a proxy, rendering evaluations as to responsibility even more complex. This article presents a conceptual analyses of intentional misrepresentation of abilities in Paralympic sport, and the differentiation of responsibility for offence thereupon, as stipulated in the draft of the International Standard for Intentional Misrepresentation, accompanying the new 2025 Athlete Classification Code (IPC, Citation2024). Drawing on philosophical and legal analysis we (i) set out existing shortcomings associated with Paralympic classification; (ii) articulate the range of potential intentional misrepresentational acts with respect to classification manipulation; and (iii) articulate the range of negative effects on the integrity of Paralympic sport. (shrink)

The way communicable diseases do spread from one person to another, depending upon the specific disease or causative infectious agent. Out of these diseases, some are incurable and the health care workers during their practice or otherwise acquire such infections and transmit them further to innocent patients who are unaware of about the health status of health care workers. The rights of an infected health care worker and patients are protected by many laws but in case of conflict of (...) interests between the individual right of the health care worker and life of a patient, then obviously by the principle of natural justice, saving the life of a person from such incurable infection gets the privilege. Therefore, there is a lot of ethical and professional dilemma, arising out, in such a type of scenario, irrespective of concealed or disclosed health status and the question mark is raised on whether clinical practice may be allowed in such cases. Some of the studies show the actual but very little risk of transmission from infected health care workers to patients. Therefore, in the current scenario, many western countries such as USA and UK are following different guidelines in this regard but the same is lacking in India. So, this article critically analyses the various issues arising out of it and thereby justifies the need to have a uniform infection control policy in this regard apart from legal and ethical binding on infected health care workers. (shrink)

On chercherait en vain dans l'art contemporain la séduction du grand art. Les oeuvres ne s'adressent plus à nous et ne sont plus faites pour être regardées, car leur originalité tient à une idée. Toutes les formes de la modernité portent l'empreinte du concept. Avec les ruptures successives du XXe siècle, l'artiste a endossé l'habit du critique et la négativité s'est substituée à la pratique effective. C'est en ce sens que l'on peut parler de la fin de l'innocence de l'art. (...) C'est dans les écrits de Nietzsche que se dessine en creux ce thème. L'innocence renvoie à la résistance que l'art oppose à tout discours et à toute saisie réflexive, à la tension toujours irrésolue qui l'anime. L'oeuvre d'art est une énigme loin de la transparence des idées. Est-il possible de retrouver l'innocence ou est-ce la fin de l'art? (shrink)

Dans The Elements of Drawing, le célèbre critique d’art anglais John Ruskin endosse le rôle de professeur pour livrer, en trois longues lettres adressées aux débutants, son enseignement sur l’art du dessin. De cet ouvrage hybride, mêlant exercices, observations sur les couleurs, commentaires de peintures et descriptions lyriques de la nature, la postérité retiendra principalement un court passage sur la formation de la perception. Dans une note de bas de page du premier chapitre, Ruskin nous dit en effet que « (...) toute la force de la technique picturale dépend de la possibilité pour nous de retrouver ce que nous pourrions appeler l’innocence de l’œil ». Cette note célèbre a fait l’objet de nombreux commentaires (chez E. Gombrich et N. Goodman notamment), qui viennent discuter, et souvent réfuter, la possibilité d’un regard vierge. À rebours des lectures de surplomb qui autonomisent ce passage et le transforment en « théorie », nous proposons de revenir au texte de Ruskin en pensant l’innocence de l’œil dans son articulation singulière et fondatrice aux exercices qui l’accompagnent. L’hypothèse que nous soumettons est la suivante : c’est l’exercice, dans sa conduite réitérée, qui permet de comprendre le sens de l’innocence perceptive. Bien loin d’un apprentissage scolaire, l’exercice du regard engage chez Ruskin une manière d’être au monde. (shrink)

Dans cet article, nous examinons l’hypothèse selon laquelle la conception de la technique se transforme dans la pensée allemande après la Première Guerre mondiale, en particulier en ce qui concerne la relation entre la technique et l’histoire. À gauche, cette transformation passe par la critique benjaminienne de toute conception progressiste de la technique – critique qui anticipe ce que Günther Anders appellera plus tard le « décalage prométhéen ». La pensée conservatrice allemande se lance quant à elle dans un éloge (...) anti-progressiste du progrès technique (c’est le cas par exemple d’Ernst Jünger et d’Oswald Spengler). Nous cherchons, en même temps, à mettre en évidence la centralité de la guerre et de la technologie militaire pour la théorie critique de la technique. (shrink)

“It may be thought that I am prejudiced. Perhaps I am. I would be ashamed of myself if I were not.” 1 When Mark Twain undertook correspondence for San Francisco’s Alta California on a $1250 trip to Europe and the Holy Land in 1867 he had an established reputation as a humorist and was on the cusp of making the transition from journalist to author. Innocents Abroad, “an unvarnished tale” 2 published in 1869 and sewn together with questionable regard for (...) coherence or thematic consistency, sold thirty-one thousand copies in one year. Only Uncle Tom’s Cabin had done better, as Twain himself noted. What made his work such a success? “This book is the record of a pleasure trip” , Twain declared, yet there had already been innumerable pleasure trips and by more established authors than he. The multiplicity and seemingly contradictory narrative stances in Innocents makes any essentialist reading hard to establish and what one stance purports is as likely and easy to prove as any other. In the main though, two bodies of criticism have prevailed hitherto, one seeing the text as flawed by internal discontinuities, the other perceiving that disjointed narration need not preclude a unified authorial consciousness. It is my contention that Twain most likely wrote with at least five entirely separate purposes in mind, none of which coexisted simultaneously: i. The profit, reputation and contractual fulfilment to be had in writing c. 1500 words to newspapers daily. ii. The demonstrable acquisition of high society vocabulary and cultural regard commended by Mrs. Fairbanks and Olivia Langdom. iii. An arrant attack upon Presbyterianism. iv. A break with the codified genre of travel writing. v. The promotion of Twain as healer of a wounded nation. Point v) has gone largely neglected by critics. Yet Twain’s role as a unifier in post Civil-War society, as projector of national identity abroad for the benefit of domestic patriotism, and as healer of war-torn America is a cornerstone to our understanding Innocents. As shall be seen, shades of mental/national injury coexist in the text, alongside a humorous denigration of foreigners. The resultant implied superiority of America and Americans, notwithstanding Twain’s passing jabs at them and in spite of their bloody internecine conflict, is what I term “imperial therapy.”. (shrink)

This paper is a modified version of a talk presented by the author at the SCSS’s Capitol Hill Luncheon-Seminar on “Defending the Family,” at the Rayburn House Office Building, Washington, D.C., April 23, 2004. It is an updated examination of the subject in question since the author’s lengthy and more comprehensive article on the subject in the SCSS’s 1998 anthology, Defending the Family; A Sourcebook. Like the earlier article, it shows that the problem of false allegations of child abuse and (...) neglect against parents continues to be massive. It identifies vague laws, attitudes of operatives in the child protective system, the ease of making reports, and the legal immunity of protective system operatives as the main reasons for this. It discusses the threats to children and innocent families posed by the system. It finds the limited protections for parents written into recent federal law an encouraging development, but points out that parents still have relatively few rights in the face of the system. It presents the case as to why the current child protective system is fundamentally flawed and should be eliminated in favor of a different approach to protecting children from true abuse and neglect. (shrink)